COL1000H Erich Auerbach - University of Toronto.
A half-century after its translation into English, Erich Auerbach's Mimesis still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in.
In the first of these essays, Auerbach considers the meaning of the word “figura,” its history,and its import in medieval Christian literature, where it denoted foreshadowing and prophecy. The Old Testament, in this regard, was thought to prophesy the New Testament, and Virgil to prophesy Dante. This essay shows, as Auerbach writes, “how a word branches out from its semantic meaning and.
Disfigurations: Erich Auerbach’s Theory of Figura. James I. Porter. James Porter is Chancellor’s Professor of Rhetoric and Classics at the University of California, Berkeley. His research interests include the development of Friedrich Nietzsche’s thought and models of aesthetic sensation, perception, and experience in ancient Greece and Rome. He is author, most recently, of The Sublime.
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May 12, 2018 - Frank Helmut Auerbach (born 29 April 1931) is a German-born British painter, a naturalised British citizen since 1947 - born in Berlin, the son of Max Auerbach, a patent lawyer, and Charlotte Nora Burchardt, who had trained as an artist. Under the influence of the British writer Iris Origo, his parents sent him to Britain in 1939 - left behind in Germany, Auerbach's parents.
Important essays from one of the giants of literary criticism, including a dozen published here in English for the first time. Erich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of comparative literature, a forerunner of secular criticism, and a prophet of global literary studies.Yet the true depth of Auerbach's thinking and writing.
While Erich Auerbach's essay “Figura” was extremely informative, I thought perhaps his points would be better grasped if presented in a different way.As the kids have never said, his professional jam was Romance Language Philology, which is why he spends dozens of pages walking us through every conceivable use of the Latin words figura, fingo, fictus, ad nauseum, from Aristotle to Augustine.